5 March 2017
pen & ink
Jumping into new waters and learning comics in a course taught by Julian Lawrence at ECUAD. It was a challenging way to work because comics require you to direct a cast, understand sequential time, guide movement across the page, write and draw clearly. All at once.
WiP - frisket film for lettering
24 January 2017
pen, watercolour, acetone transfer
CDC? is a wonderful picturebook by the late William Steig. Sentences are made using letters and numbers to sound-out words. For example: U F D-K N U-R K-9 = "You have decay in your canine."
Above illustration of a house by the sea was inspired by the house below, apparently used in a movie set and now a vacation rental, in Rodanthe, NC.
20 January 2017
Version 5 - collage, watercolour, ink
It has been an unusual winter on the West Coast. Normally, we get one big dump of wet, fluffy, snow. Then everyone rushes outside to make snow angels, build their one snowman, and wait for the rain to wash it all away next day. This year the snow (and ice) stayed. So we have had many snow days. And the one snow plough in all of Vancouver didn't make it to our street.
The illustrations in this post are for an assignment to create five versions inspired by the same photograph below:
These were my other four versions. Interesting that the mood can change based on the medium and colours chosen.
Version 1 - pen and ink
Version 2 - watercolour and ink
Version 3- collage
Version 4 - watercolour and ink
1 January 2017
Scene from Star Wars: Rogue One (RIP, Carrie Fisher)
Postings have been sparse for 2016. There were a lot of creative projects on the go. For one, I took on the volunteer role of Illustrator Coordinator for SCBWI Canada West. Working with fellow illustrators has definitely been a highlight, as has working with Groundwood Books on a first picture book. Then, I could not say "no" to a project to revise a program that I had a part in drafting back in 2003 for the Native Youth Centre. So, it was a much fuller plate than I had expected at the beginning of 2016.
And now we're on the cusp of another new year. This will be the first new post of 2017. Let's start with something from the sketchbook, drawn at the airport.
thumbprint Jyn, pencil Jyn
Strong female characters like Jyn Erso are great fun to draw. See last year's Rey here. Happy new year, everyone. Stay creative.
31 October 2016
Sorry, no illustrations today. But I learned how to sew leather. It involves special needles, punches, grommets, and patience. This year, my eldest wanted to be a plague doctor for Halloween. My reference was an engraving from 17th century Rome. The beak was filled with herbs that supposedly protected the doctor from "putrid" air. It usually didn't work out for the doctors.
Here they are, ready to go -- plague doctor and death. Not such a cheery looking pair are they?
And here is what happened to the leftover bits of leather. A bit cheerier:
25 September 2016
"Maurice" cut out from Stonehenge paper
... and apparently cutting out letters backwards. This is not even an illustration, but it is the one creative thing that I have on my desk at the moment.
Yes, it has been a long stretch since the last post from August. I have been busy, but in a good way. The exciting news that I haven't shared a whole lot on-line is that Groundwood Books will be publishing, The Outlaw, the first picture book that I wrote and illustrated . Over the past months, I have been working with Sheila Barry and her team at Groundwood. It's been great! The book is scheduled for release in Fall 2018.
The Outlaw began way back in 2013, as a drawing. At my first SCBWI conference in Western Washington, Mac Barnett had given an inspirational talk involving Venn diagrams and Sophie Blackall had asked illustrators to draw shadows. I had also finished reading Patrick DeWitt's, Sisters Brothers, and watched the Coen Brother's, True Grit. So you can see the percolating influences that resulted in the drawing below:
pen, watercolour, newsprint transfer
I worked on the story to go with the image shortly afterward, and had the manuscript critiqued with Ken Kilback's writing group. Then, I rented a studio for the summer to work on the images. By the end of 2015, the dummy was ready for submission. It seems a long time ago. Yet not really.